1936年的6月25日——我是很久很久以后才知道这个日子,那是日本导演小川绅介(1936—1992)的生日。那天,我们完成了小川的遗作《满山红柿》,我和他的夫人白石洋子,还有第二期摄影师林良忠一起去为他扫墓。在献上我们的海报时,我看见了他刻在墓碑上的出生年月,心里顿时充满了一种庄严的感觉,对死亡有了新的认识。因为在那一刻,我发现原来死亡并不可怕,当一个人离开后,他常常留下了 June 25, 1936 - It was a long, long time since I was aware of this day, the birthday of Japanese director Ogawa Mori (1936-1992). That day, we finished Ogawa’s legacy, “Tomatoes”, and I and his wife, Whitehead, and the second photographer, Lin Liangzhong, went to sweep the grave for him. When we presented our poster, I saw his birth date engraved on the tombstone. My heart suddenly filled with a solemn feeling and a new understanding of death. Because at that moment, I found that the original death was not terrible, when a person left, he often left