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在中国现代文学研究中，审美现代性问题是一个远未展开的话题。作为审美现代性重要表现形态的浪漫主义运动，一方面以其审美自主性的价值取向奠定了一种诗化人生的传统；另一方面，审美政治化的倾向最终又将浪漫主义运动推向了唯意志主义的尴尬境地。它表明，２０世纪中国的审美现代性一直处在一种内在的紧张状态中，而对于这一内在的紧张状态进行追忆和总结，无疑有助于进一步理清现代思想文化史的另一条脉络。
In the study of Chinese modern literature, the issue of aesthetic modernity is a far-reaching topic. On the one hand, the romantic movement, as an important manifestation of aesthetic modernity, has laid a tradition of poetic life with the value orientation of its aesthetic autonomy. On the other hand, the tendency of aesthetic politicization finally pushed the romantic movement to the The embarrassment of the voluntariness. It shows that the aesthetic modernity of China in the 20th century has always been in an inherent state of tension. Recalling and summarizing this internal tension undoubtedly helps to further clarify another vein in the history of modern ideological and cultural history.