本文从储望华先生改编的钢琴主调音乐《二泉映月》中音乐表现的内容、形式、风格等入手,对中国民族音乐的创新提出几点看法,并试图寻找民族音乐要符合世界主流音乐所表现的个性和共性,实现取彼之长、补我之短的目的,从而使博大的中国音乐经久不衰、走向世界。 This article starts with the content, form and style of musical expression in piano tune “Er Quan Ying Yue” adapted by Pian Wang Hua, and puts forward some opinions on the innovation of Chinese folk music. At the same time, it tries to find out that the national music should conform to the world mainstream music The individuality and commonality of performance, and the realization of the objective of taking one’s strengths and making up my own shortcomings so that the vast Chinese music will endure and go to the world.