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当下女性题材的戏曲创作(尤其是许多整理改编传统剧目为求新意),多赋予剧中的女主人公以“个性解放、爱情至上”的信条,突显其女性意识的觉醒,但往往抽空或剔除了其责任与道义的担当和承载,个性主义远远凌驾于人性主义之上,使得刻意、着力塑造的新女性形象流于轻忽、空洞,而沦为虚伪的个性主义或女性主义。(或者说对五四新文化运动以来个
The current female genre drama creation (especially many finishing reorganization of traditional repertoire for new ideas), and more to give the play heroine with “personality liberation, love supreme ” creed, highlighting the awakening of their female consciousness, but often take the time or Excluding the responsibility and moral responsibility and carrying, individualism far above the humanism, making deliberate, focused on shaping the new female image neglect, empty, and become hypocritical individualism or feminism. (Or since the May Fourth New Culture Movement