富有朝气的旭日被热腾腾的蒸气模糊了,一声又一声响亮的叫卖声被遗落在陈旧弄堂的石板路上。1916年,正是纸扎盛行的年代。陈天恩穿着大褂坐在老宅里,用铁丝和棉花代替竹条做成人身的骨架;用花布做成真正的小衣服、披肩、腰带,然后穿上去;手和头用泥制作。光线与灰尘缠绕,最初的彩扎诞生了。绢人是彩扎的一种。经过悠悠岁月,被放置在现代化的玻璃柜中。我望着绢人,忽略了三三两两的参观者。她倚在透明的玻璃上,身上精 Vibrant sun was blown steam vague, loud and clear barking was left in the old alley stone road. In 1916, it was the era of paper-based fashion. Chen Tian En sitting in the old house with his coat, with wire and cotton instead of bamboo made of the skeleton; with cloth made of real clothes, shawls, belts, and then put on; hand and head made of mud. Light and dust wrapped, the first color bar was born. Silk Man is a color bar. After a long time, was placed in a modern glass cabinet. I looked at the silk man, ignoring the twos and threes of visitors. She lean on the transparent glass, fine body