皮兰德娄与布莱希特是戏剧史上的革新者,他们为二十世纪戏剧舞台带来了新的生气。本文试图将皮兰德娄的戏剧观念与实践同戏剧理论大师布莱希特的戏剧观念及创作置放在“反幻觉论”的视角下考量,如实还原存在于皮兰德娄与布莱希特身上的对欧洲戏剧传统、戏剧舞台表演方式的反思,并阐发在这种反思下,他们对戏剧传统的突破与创新。 Pirandello and Brecht were innovators in the history of theater, bringing new life to the theater stage of the twentieth century. This article attempts to put Pirande Lou’s concept and practice of drama together with Brecht’s dramatic ideas and creation of master of drama theory in the perspective of “anti-hallucination theory”. The truthful reduction exists in Pirandeluo and cloth Leicht on the European tradition of theatrical drama, stage performance of the theatrical reflection, and elucidated in this reflection, their tradition of the breakthrough and innovation.