《“心灵挖掘”论》(王建高、邵桂兰作,载《戏剧世界》1987年第二期)一文说,强调戏剧创作对人的心灵进行挖掘,这表现出一种对人的自身价值和人的主体性地位的重新发现,它也标志着人们的自主意识在增强,思想解放和精神文明的水平在提高。戏剧性绝不仅仅只是存在于一连串的事件和矛盾冲突之中,只要写出了人物心灵深处的东西特别是情感活动,那就同样能取得很好的剧场效果。心灵挖掘是一种更为深刻的反映社会生活的现实主义创作方法。情节是 “” Mind digging “(Wang Jiangao, Shao Guilan for the book,” The World of Drama "1987 second issue), said one article, emphasizing the drama creation of human mind mining, which shows a value to people and people The rediscovery of the subjective position of the people also marks the enhancement of people’s autonomy consciousness, the emancipation of mind and the improvement of spiritual civilization. Dramatic not only exists in a series of incidents and conflicts, as long as the characters write the soul of things, especially emotional activities, it can also achieve good theater. Mind mining is a more profound way to reflect the social life of realism. The plot is