《南京!南京!》的叙事视点处理混杂、跳跃而混乱,人物行为逻辑难以追寻,主题意念离散。影片的叙事肌理充满了一种抒情的夸张和改变历史、随意说出自己解释的强力态度。这可以从导演在视听语言和叙事方法两个层面对于杂耍蒙太奇的偏爱看出来。今天带着简单的、毫无怀疑的态度去写小豆子这样的少年兵上战场英勇杀敌,是失却了人道主义的立场,是在重复生产一种陈旧、可怕的战争观念。 The narrative point of view of “Nanjing! Nanjing!” Is mixed, jumps and chaos, the character logic of the character is hard to follow, and the theme is divided. The narrative texture of the film is full of a lyrical exaggeration and change of history, free to say their own strength to explain. This can be seen from the directors’ preference for juggling montages at both the audio-visual language and narrative methods. Today, with a simple and doubtless attitude, we must write a warrior courageously fighting against young soldiers such as Adzuki beans and lose their humanitarian stance and repeatedly create an outdated and terrible idea of ​​war.