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1930年代是戏剧舞台艺术十分繁荣的时期,其最显著的特征是表演艺术的发达,主要表现为演员中名家的大批涌现和艺术流派的形成。此外,即是戏剧音乐不断的发展和丰富。这两个方面的结晶,便是相关理论著述的出现。本文就是从这样的两个方面略而评述的。一、舞台表演艺术的理论批评本时期论及戏剧舞台表演艺术的专著,主要是有关表演艺术的鉴赏与批评方面的,纯粹的表演理论研究尚未出现,即便像齐如山戏剧表演方面的研究,也还多属于应用的功能性的
The 1930s is a very prosperous period of theatrical theatrical art. Its most prominent feature is the development of the performing arts, which is mainly manifested in the influx of famous actors and actresses and the formation of art schools. In addition, the continuous development and enrichment of drama music. The crystallization of these two aspects is the emergence of relevant theoretical writings. This article is from the two aspects of this slightly commented. I. THEORETICAL CRITICISM OF THE PERFORMANCE OF THE STAGE PERFORMANCE The monographs on the performing arts of the stage in this period mainly focus on the appreciation and criticism of the performing arts. The study of the pure performance theory has not yet appeared. Even the researches on the dramatic performances of the Qi Ru Shan More is the application of functional