新时期话剧创作既要继承注重社会使命感的优秀传统 ,又要适应时代的变革和观众的审美要求 ,因而 ,新时期的剧作家大胆地借鉴了布莱希特的“间离效果”理论及其实践。他们破除传统戏剧的舞台幻觉 ,恢复观众在戏剧欣赏中的主体地位 ,提高观众认识社会的主观能动性 ,唤醒观众积极的思考和判断。 Therefore, in the new era, dramatic writing should not only inherit the outstanding tradition of paying attention to the sense of social mission, but also adapt to the changing of the times and the audience’s aesthetic requirements. Therefore, the dramatists in the new period boldly draw lessons from Brecht’s theory of " Its practice. They break the stage illusion of traditional drama, restore the audience’s dominant position in drama appreciation, enhance the audience’s awareness of the subjective initiative of society, and arouse the audience’s active thinking and judgment.