袁广鸣的镜头世界,既是真实的再现,又超越真实。他的钢缆直线拍摄方法,呈现非日常生活观看环境的方式。《能量的风景》,以高空航拍般穿梭于烂尾的住宅工地、空置的小学校园、荒废的游乐场、满是游人嬉戏的海滩,及海滩附近的核电厂。这种空间拼贴所叙述的讯息昭然若揭。台湾“蚊子馆”的废墟与“核电归零”的反核议题,就在我们身边,仿如电影的单轨拍摄形式,令真实的情境 Yuan Guangming’s lens world is both a true representation and a surpassing of reality. His method of straight line shooting of steel cables presents a non-everyday way of viewing the environment. “The Landscape of Energy,” a high-altitude aerial home-turned-off residential site, an empty primary school campus, a deserted playground, beaches full of tourists and a nuclear power station near the beach. The message described in this space collage is clear. The ruins of Taiwan’s “Mosquito Museum” and the anti-nuclear issue of “nuclear power zeroing” are just around us, just like the monorail filming of the movie, making the real situation