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明琴譜《風宣玄品》刻於嘉靖十八年,海内孤本,現藏於中國藝術研究院。本文擬對其歷代著録及收藏情況考訂,進而梳理該書的編纂背景、版刻源流,同時確定主持編纂者爲徽藩王朱厚爝,而非張鯤。另外,從其内容沿革流變的角度來考察,《風宣玄品》所收入的琴曲、琴論大部分輯自於前人琴譜,其中琴論内容主要來自於《太古遺音》及其改編本,《風宣玄品》面世之後,又有其他琴書採擷《風宣玄品》的内容入書,因此,《風宣玄品》可視作《太古遺音》系列文獻中承前啓後的著作。無論從琴學研究還是古文獻研究角度來衡量,《風宣玄品》都是一部值得深入研究的典籍。
Mingqin spectrum “Wind Xuanxuan goods” engraved in Jiajing eighteen years, a solitary sea in China, is hiding in the Chinese Academy of Arts. This article attempts to test the history of its collection and collection of books, and then sort out the background of the compilation of books, engraved engraved origin, at the same time to determine the moderator for the emblem of the emperor Zhu Houfan, rather than Zhang Kun. In addition, from the perspective of the evolution of its content, the “Wind Xuan Xuan Pin” income piano song, most of the piano theory from the predecessors of the piano sheet music, which mainly from the piano content of “Archaic” and its Therefore, “Fengxuanxuanpin” can be regarded as the “Taiwanese” series of documents in Chengqianqihou The book. No matter from the study of Qin studies or studies of ancient documents to measure, “Feng Xuan Xuan Pin” is a book worthy of further study.