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作为中国雕塑的重要的一环节——佛像石窟造像从建造到现在历经数千年,佛像造像的塑造技巧和表现方式为今所继承,最重要是佛像造像始终贯穿着和谐美这一美学思想。笔者以云冈石窟为例介绍佛像石窟造像,通过表现和再现、时间和空间、感性和理性这三方面来阐述石窟造像中所蕴含的和谐美这一中心思想。
As an important part of Chinese sculptures, Buddha statues and grotto statues have been inherited for thousands of years from the present construction to the present. The most important thing is that the statues of statues of Buddha statues have always permeated the aesthetic idea of harmony beauty. Taking Yungang Grottoes as an example, the author introduces statues of Buddha statues and expounds the central idea of harmony beauty embodied in the statues of grottoes through three aspects: performance and reproduction, time and space, sensibility and rationality.