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央视电视纪录栏目《见证.影像志》具有与其他电视节目不同的叙事特色。从聚焦方法上看,宏观方面用零聚焦的叙事方式构建节目以及联系故事的各种要素,微观方面将故事中的人或与人事相关的人物转变为直接的叙述主体,这是一个将内聚焦叙事嵌入零聚焦叙事之中的过程;蒙太奇手法在其中并没有被摈弃而是在追求真实客观的前提下明显淡化;影像视画面并不主要通过纵向的表现承担叙事功能,而是通过横向的展示承担表情功能并起证明作用。
CCTV record column “Testimony. Video Chi” has a narrative feature different from other television programs. Focusing from the point of view, macroscopically focus on the use of zero-focus narrative way to build programs and contact with the various elements of the story, the microscopic aspects of the story or the people involved in the personnel into a direct description of the subject, which is an internal focus Narrative embedding zero-focus narrative process; montage in which the technique has not been discarded but in the pursuit of true and objective under the premise of a significant downplay; image video is not mainly through vertical performance to bear the narrative function, but through the horizontal display Bear the expression function and play a proof role.