作为中国当代话剧史上里程碑式的人物,孟京辉的每一部新作都受到瞩目。对于“孟京辉”这个名号,大部分人还是买账的——至少抱有一定期待。而我在观看《四川好人》后也欣慰地发现,孟导没有走将一切故事都往戏曲程式里套的“脱俗的媚俗”路线,而是坚持了他最驾轻就熟的现代风格,以现场电子音乐、声光效果、简单的日常服装等等作为辅助元素,将《四川好人》的故事呈现在舞台上。该版 As a milestone figure in the history of Chinese contemporary drama, every new work by Meng Jinghui has drawn much attention. For the “Meng Jinghui” this name, most people still buy it - at least have some expectations. However, after watching the “Sichuan Good People,” I was relieved to find that Meng Dao did not follow the line of “vulgar kitsch”, which set all the stories in the drama program. Instead, he insisted on his most adept modern style, Electronic music, sound and light effects, simple daily clothes and so on as ancillary elements, the “good people in Sichuan” story on the stage. This version