当今社会是人才竞争的社会。理想中的人才不仅要学有专长,还要具有良好的文化艺术素养、健康的心理素质和适应社会的能力,这也对高师钢琴专业培养出的人才提出了更高的要求,高师钢琴培养的专业人才应是既能活跃在舞台上,又能活跃在课堂中的一专多能型人才。通过几年的教学实践,我对高师钢琴的教学方法进行了粗浅的总结,认为在教学中应该注意以下几个方面的问题。一、高师钢琴的基础训练与演奏技巧高师钢琴专业不同于以培养演奏型人才为主的钢琴表演专业,但它同时又包含着钢琴表演专业的教学内容。这就要求我们在教学中,特别注重学生的基础训练和演奏技巧的把握。1、抓好学生的基础训练,为其打下坚实的基础。钢琴演奏是一门技术性很强的学科,抓好基本功的训练,打下扎实的、坚固的基础他们将会受用一生,在将来无论从事教学、演奏都会得心应手。教授学生学习的过程中要注重学生基本功的培养,包括触键的正确方法,腕、臂等方面的基础技术训练。在练习指法的时候要注意以下几点:1)每个声音都必须有明确的触键点。2)触键点即是发力点,关键在快速的力量集中。3)触键点的集中并不意味着手指抬得高或声音砸得响。4)“音色”的质量由触键的速度,力量的集中,指尖的弹性所决定。在臂的练习中特别要指出的是不只是在弹奏音响洪亮的八度、和弦时才使用大臂,在最轻弱处,都需要运用大臂。 Today’s society is a talent-competitive society. The ideal of talent not only to learn expertise, but also have a good cultural and artistic accomplishments, healthy psychological quality and ability to adapt to society, which also raised the higher professional piano professionals put forward higher requirements, Professionals should be able to both be active in the stage, but also active in the classroom of a multi-type talents. Through several years of teaching practice, I conducted a superficial summary of the piano teaching methods in higher normal colleges. I think we should pay attention to the following problems in teaching. First, the basic piano teacher training and playing skills Higher Piano Professional is different from the training of talented people to play piano-based professional, but it also contains piano teaching professional content. This requires that we pay special attention to teaching students, basic skills training and playing skills. 1, do a good job in the basic training of students, to lay a solid foundation for them. Piano playing is a highly technical discipline. Doing a good job in basic skills training will lay a solid and solid foundation. They will have a lifetime in which to practice teaching and playing well. Teaching students in the process of learning should pay attention to the cultivation of basic skills of students, including the correct way touch, wrist, arm and other aspects of basic technical training. When practicing fingering should pay attention to the following points: 1) Each sound must have a clear touch point. 2) touch point is the force point, the key in the rapid concentration of power. 3) The concentration of touch points does not mean that the finger is lifted high or the sound smashed loudly. 4) The quality of “Tone ” is determined by the speed of the touch keys, the concentration of power and the flexibility of fingertips. In the practice of the arm, it is especially pointed out that the boom should be used not only when playing loud octaves of audio, but also when using chords.