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巴桑戴尔考虑的是视觉实践如何成为一种再现的模式(从观看世界到图绘世界),瓦托夫斯基考虑的则是一种再现的模式如何成为一种视觉概观(从图绘世界到观看世界)。但是这两种方式原则上是一个循环不已的完整回路——从图画到世界,到图画,再到世界,一直持续。瓦托夫斯基称之为一个“螺旋线”。情况确实如此,尽管这不是(至少不只是)一个经典图绘风格(以及观看方式)在人类视觉史中前后垒叠的螺旋线。存在于其中的其实是图画的螺旋线,也就是说,任何图画必须以其风格特征才能部分被我们认识。
Basantale considered how visual practice became a mode of representation (from viewing the world to drawing the world) and Walterowski considered how a mode of representation became a visual overview To watch the world). But in principle, these two methods are a complete loop with endless cycles - from the pictures to the world, to the pictures, to the world, and has continued. Wallowski calls it a “spiral.” This is indeed the case, though it is not (at least not) a spiral of classical pictorial style (and of viewing) overlaid in human visual history. What actually exists is the spiral of the drawing, that is to say, any drawing must be partly characterized by its style.