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中国花鸟画有悠久的历史传统,历代善画花卉的名家不可胜数。中国花鸟画的教学,历来具有一套体系完备而又灵活多变的学习图式规范,可以说,历代花鸟画家既是图式规范的创造者,也是图式规范的传承者,正是传承正脉和摹写古今的完美结合。因此,现代中国花鸟画教学必须采用“课徒”方式,通过先临摹后变革,先接受后理解,先专一能后兼多方的“以法致道”之途径来培养学生。
Flowers and birds of Chinese painting have a long history and traditions. The teaching of Chinese flower and bird painting has always had a set of norms of study schema with complete and flexible system. It can be said that the flower and bird painters in the past are both the creators of schema norms and the successors of schema norms, And copying the perfect combination of ancient and modern. Therefore, the teaching of modern Chinese birds and flowers must adopt the method of “apprenticeship”, cultivate students through the first copy-and-change process, the first acceptance and the second one after specialization and afterwards.