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20世纪80年代先锋小说一度辉煌,先锋作家对文本形式的实验探索影响着当时乃至此后中国文学的阅读与创作。创作主体统治整个叙述的进展,对传统叙述方式彻底颠覆,以支离破碎的情节,混沌虚无的时空,晦涩难懂的语言,完全消解文本意义单一清晰的表达,写作成为一场形式的游戏和价值的冒险。余华,就是其中的一个。一、叙述主体张扬余华早期的作品中,叙述主体好像无处不在,所见所闻飘忽不定,全知全能地告诉读者在某个场合里发生的事情以及人物不可预知的命运。
The avant-garde novels in the 1980s were once brilliant. Avant-garde writers explored the text form and influenced the reading and creation of Chinese literature at that time and later. The main body of the author ruled the progress of the whole narrative and completely subverted the traditional way of narration. With a fragmentary plot, chaotic empty space and obscure language, it completely eliminates the single clear expression of the meaning of the text and becomes a form of game and value adventure. Yu Hua, is one of them. First, the main narration of the main theme of Yu Hua In his early works, the narrative seems to be ubiquitous, seen and heard erratic, omnisciently versatile to tell the reader what happened in a scene and the unpredictable destiny of the characters.