我国的新诗文学传统,发端于20世纪初的五四运动。当时的新诗创作,以排山倒海、雷霆万钧的气势冲决了几千年古典诗歌的束缚。中国古典诗歌曾经出现过无可比拟的高峰,但在封建制度奄奄待毙的晚清,早已丧失了生命力。于是,新诗脱颖而出。新诗70多年的发展历程表明,诗的生命在于和人民的命运联在一起。整个新诗,充满自由、奔放、热情、爽朗的气质。特别是新中国成立后,诗坛上出现了以郭小川、贺敬之为代表的政治抒情诗,诗人们放声歌唱今天的幸福生活和劳动人民的辛勤劳动。这些诗歌确实真切地记录了一代人的心声,他们是共和国的歌者。但是,随之而来的一次次政治风雨的冲刷,这些真诚热烈的政治抒情诗也成了诗人获罪的借口。诗神隐匿了,隐匿在假大空白开水的假诗当道的日子里。1976年发生在天安门广场的“四五”诗歌运动,人们终于喊出 China’s new poetry and literature tradition started in the May Fourth Movement of the early 20th century. The creation of new poetry at that time rushed the shackles of classical poetry for thousands of years with the powerful and mighty momentum. Chinese classical poetry once had an unparalleled peak. However, in the late Qing dynasty in which the feudal system was dying, it had already lost its vitality. As a result, new poetry come to the fore. The development of new poetry over the past 70 years shows that the life of poetry lies in its connection with the destiny of the people. The entire new poem, full of freedom, bold, passionate, hearty temperament. Especially after the founding of New China, political lyric poems represented by Guo Xiaochuan and He Jingzhi appeared in the poetry circles, and the poets sang and sang today’s happy life and working people’s hard work. These poems do truly record the voices of a generation who are singers of the Republic. However, with the ensuing political scourge, these sincere and enthusiastic political lyric poems have also become an excuse for the poet to be guilty of the crime. God of poetry hiding, hidden in the fake big empty boiled water in the days of the Dashi. The “Four-Five” poetry movement took place in Tiananmen Square in 1976, and people finally shouted