对宗白华(1897—1986)的美学,学界早有定论。但是,他独具特色的美学批评方法却很少被人注意。20世纪30—40年代,中华民族遭遇了存亡续绝的危机,宗白华通过自己的美学探索指点了建构中国现代文化精神的道路,提出了“节奏是中国文化精神的基本象征”的学说。作为这一美学的具体运 For the aesthetics of Zong Baihua (1897-1986), the academic community has long been definitive. However, his unique method of aesthetics criticism is rarely noticed. From the 30s to the 40s of the 20th century, the Chinese nation suffered a crisis of continued survival. Zong Baihua, through his own aesthetic exploration, pointed the path of building the modern Chinese cultural spirit and put forward the theory that “rhythm is the basic symbol of Chinese cultural spirit.” As a concrete transport of this aesthetics