汪曾祺的小说语言具有独特的美学品格,它打破了传统的语言工具论,实践了语言本体论的观念,特别是其小说语言的审美观念愈来愈成为人们关注的重要层面。汪曾祺的小说语言是一种自觉的追求,这种追求来自他对语言的独特的审美意识:“语言不只是技巧,不只是形式,小说的语言不是纯粹的外部的东西,语言和内容是同时存在的,不可剥离的”,“语言是小说的本体,不是附加的,可有可无的。从 Wang Zengqi’s novel language has a unique aesthetic character. It breaks the traditional theory of language tools and practices the concept of linguistic ontology. Especially, the aesthetic concept of his novels’ language has become an increasingly important aspect of people’s concern. Wang Zengqi’s fictional language is a conscious pursuit. His pursuit comes from his unique aesthetic awareness of language: “Language is not just a skill, not just a form. A language of a novel is not a purely external thing. Language and content coexist , And can not be peeled off ”," language is the body of the novel, not an additional, dispensable.