1996年,笔者在内地的戏剧刊物上发表《中国戏剧的整合趋势》一文,提出“20世纪90年代以来,在历史悠久的中国戏曲与异域舶来的中国话剧之间,开始出现了整合运动的轨迹。一种现代意义上的中国戏剧形态,可望在这一整合运动轨迹的终端诞生。”~1历史的册页翻过去二十年。其间,中国戏剧的状况与笔者对中国戏剧状况的认知都发生了一些变化。岁月几何,山野间的碧水清风虽悠然而逝,舞台上的整合趋势却未曾中断。本文拟在《中国戏剧 In 1996, the author published an article titled “The Trend of the Integration of Chinese Drama” in mainland drama publications. He proposed that “since the 90s of the 20th century, there has been a beginning of the integration movement between the long-established Chinese drama and the exotic Chinese drama. Trajectory, a form of modern Chinese drama, is expected to emerge at the end of this integrated trajectory. ”~ 1 The history of the album turned over for twenty years. In the meantime, some changes have taken place in the situation of Chinese drama and the author’s cognition of the situation of Chinese drama. Years of geometry, the clear water between the mountains though leisurely away, the trend of consolidation on the stage but has not been interrupted. This article is intended to be "Chinese drama