李砥的画要读进去并不容易,如同木刻在语言上要有更大的突破也不容易一样。木刻是很具有绘画性的版种,刻刀就像画笔一样,在木板上自由地游走,达到什么效果就是什么效果,这也是李砥所追求的状态。李砥很强调他的创作与传统木刻创作方法的区别,他不是先定好一个稿子,再在制作过程中把稿子复制出来。他是让感觉跟着意象走,无法而法,让情感自由地宣泄,即使最后的结果与原初的意象相去甚远,也再现了一个真 It is not easy for Mr Leo’s paintings to be read in, as it is not easy for woodcuts to have a bigger breakthrough in language. Woodcut is very graphic version of the species, the knife is like a brush, free to walk on the board, what effect is achieved what effect, which is the pursuit of the state of Lee. He emphasized the difference between his creation and the traditional method of woodcut creation. He did not set a manuscript first, and then copied the manuscript in the making process. He is to make the feeling go along with the image, unable to act, so that the emotion freely vent, even if the final result is far from the original image, but also reproduce a true