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在《红楼梦》裙钗谱中，花袭人以痴著称，始终以忠诚的奴才形象维妙维肖地表现着自己。袭人的痴建立在主子的荣华富贵和“对和善的好心的主人感激不尽”基础之上，具有矛盾的二重性。以伏贴在贾府立足，凭攻心谋取二奶奶地位，加害于人擢取资本，为的是跻身主子行例，而这一切力争都是在似乎“漫不经心”的尽职尽责的奴才行为中推进的。贾府破败后，她又是在失去主手希望的悲痛中，极其得体地完成了身份的过渡。花袭人其实是花“戏”人，半是真诚半是狡诈地走完了她的人生三部曲，成为《红楼梦》描绘的最成功的艺术典型形象之一。
In the “Dream of Red Mansions” Skirt Chaptachtach, who took a fool of myself, always with a loyal minions image of the performance of their own wonderful. Targeted at people based on the glory of the rich and the “good and kind hearted gratitude” based on the dual nature of contradictions. In order to vouchers in the Jiafu based, with their hearts and minds to seek the status of a mistress, injuring others to take the capital in order to rank among the master cases, and all these efforts are in the seemingly “careless” due diligence to promote the minions. After Jia’s defeat, she again completed her identity transition in a very proper manner in the grief of losing her hand. In fact, the flowers are “opera” people, half half is sincere half cunning completed her trilogy of life, as “Dream of Red Mansions” depicts one of the most successful typical art.