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一、笔法与结构一般人们把结构分为结字和章法两个方面,认为结构是点画的组织形式.但进一步探究,如此认识结构是不够全面的.我以为,书法结构的本质,是笔锋运动过程在纸(或其它书写材料)面的墨迹化.因此,结构可以分为由微而著的三个层次:点画、结字、章法.视点画形态为结构之一种,其意义是重大的.在书法艺术的本体构成中,笔法与结构是最为基础的两个组成部分.然则,纵观书法史,笔法与结构的关系问题至今仍为书家所争.如果在理论上认识到点画形态也是一种结构,进而认识到结构之本质,那么,笔法与结构的关系问题也就迎刃而解了.
First, the brushwork and structure Generally, people structure the structure is divided into two aspects of the knot and the chapter of the law that the structure is the point of view of the organizational form, but further exploration, so that the structure is not comprehensive enough .I think that the essence of the calligraphy structure is the stroke front movement The process is in the ink of the paper (or other writing material), so the structure can be divided into three layers: the stippling, the knotting and the zigzag.The structure of the point of view is one of the structures and the significance is significant In the ontological composition of calligraphic art, style and structure are the most basic two components.However, the history of calligraphy, the relationship between the style of writing and the structure is still controversial for the writers.If in theory to recognize the stipple But also a structure, and then recognize the nature of the structure, then the relationship between the brushwork and the structure of the problem will be solved.