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“+”和“×”的重叠产生了一个饶富兴味的画面,在平面和深度之间不断游移摆荡,仿佛二度空间的运动之间呈现紧绷的张力,由此演变出一个三度空间的复杂系统。看来“十示”的组合和重叠其实是对理性的终极形式所进行的一个绝对、甚至可以说是“基本教义式”的严肃探索。它乍看之下可能会让人联想到浮士德和科学怪人在进行“科学性”研究时所呈现的疯狂和偏执。然而,丁乙的执迷从未导致对任何崇高或普世真理的追寻、抑或必然衍生的混乱后果。相反地,这是他创造个人的宁静世界以及对永无止境的组织/分解/再组织过程永远保持开放的方式……当我们仔细探究他的作品时,会惊讶于画面所散发的一股宁静能量,宛如一首绝妙的诗篇,那是由
The overlap between “+ ” and “x ” produces a richly appealing picture that wanders and wanders between the plane and the depth, as if tensions between the movements in the second space appear tension A complex system of three degrees of space. It seems that the combination and overlap of “ten signages” are in fact an absolute, even “solemn,” exploration of the ultimate form of reason. At first glance, it may at first glance reflect the insane and paranoid Faust and Frankenstein’s “scientific” studies. However, Ding’s obsession has never led to the search for any lofty or universal truth, or the inevitable chaotic consequences. On the contrary, it is his way of creating a personal, peaceful world and of being forever open to the never-ending organization / disintegration / reorganization process ... When we look closely at his work, we are amazed at the tranquility of the picture Energy, like a wonderful Psalm, it is from