本雅明的“艺术政治学”批判理论在其《发达资本主义时代的抒情诗人》中主要体现在,围绕一位现代主义的悲剧英雄来探讨时代的精神状况,透过“浪荡子”发现商品的价值属性,在其与都市人群的奇异关系中批判大众及其审美趣味,以表达破坏、颠覆既有资本主义社会秩序的革命激情。“浪荡子”、寓言家和孤独者,是本雅明在波德莱尔、也是在自己身上发现的三种角色。 Benjamin’s Critical Theory of Art Politics is mainly reflected in his Lyric Poets in the Age of Developed Capitalism by focusing on a modernist tragedy hero to explore the spiritual state of the times through the “ ”Discovers the value attribute of the commodity, criticizes masses and their aesthetic tastes in their singular relations with the urban crowd, in order to express the passion of revolution that undermines and disrupts the existing capitalist social order. “Rumbler ”, allegorical and lonely, is Benjamin in Baudelaire, but also found in their own three roles.