在当今从事中国画创作的女画家之中,李雅然可谓是一位个性鲜明的书画多面手。她早期热衷于意笔水墨花鸟的创作,据说被央美同学赐封“铁巾”“七彩禅指”的封号,之后又潜心于工笔画的表现。其间出于对色彩表现的兴致与追求,还专心学习了以矿物色使用为核心的重彩画表现。除此之外,她对传统表现技法中颇为罕见的指画(以手指代替毛笔作画)亦有钻研,她在指画高其佩、潘天寿、李苦禅等大师的指画传承下进一步地改革,并用心创出七彩斑斓、夺目优雅、其彰显生动、自然野趣、具有传奇色彩 Among the female painters who are engaged in the creation of Chinese paintings today, Li Ya Ran is a versatile painting and calligraphy master. She was very keen on the creation of ink-and-water birds in his early days and was said to have been given the title of “Iron Wax” and “Colorful Zen Finger” by the students from the Central Academy of Fine Arts. In the meantime out of interest and pursuit of color performance, but also concentrate on learning to use mineral color as the core of heavy color painting performance. In addition, she also studied finger painting (painting instead of writing brush with a finger), which is rare in traditional performance techniques. She further reforms and painstakingly paints the finger painting heritage of Gao Qipei, Pan Tianshou and Li Kuchan Create a colorful, eye-catching elegance, which highlights the vivid, natural wild, legendary