广信这些年来是以书法见长的,现在,他的画作也渐渐进入了人们的视野。我喜欢他的字,古拙、孤独,充满着禅机。他的字有一种原始的动力,也最能体现出他的性格。在书法艺术上,他是幸运的,因为他找到了属于自己的墨色框架。关于他的书法艺术,我将另写文字,现在只谈他几幅画。广信是从书法进入绘画的,至于是书法催促着他画画,还是早在习书之初就有这个打算,我还不知道。但是我想,从书法过渡的绘画,按广信深厚的书法功底和宁静的心态来说,这是一条必由之路。他完成了,或者 Kwong Shun calligraphy these years is known, and now, his paintings have gradually entered the people’s horizons. I like his words, ancient, lonely, full of Zen machine. His word has an original motivation, but also best reflects his character. He was lucky in calligraphy because he found his own ink frame. About his calligraphy, I will write another text, now only talk about his paintings. Guangxin entered the painting from calligraphy. As for calligraphy, he urged him to draw or did he have this plan as early as the beginning of the book. I do not know yet. However, I think that this is the only way from the calligraphy’s transitional painting to the profound calligrapher’s serenity and mentality. He finished, or