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在19世纪中后期的欧洲文坛上,面对令人不安的双重人格现象,各国作家如史蒂文逊、莫泊桑等相继对其展开探讨。而后,随着时代的进步,人们对双重人格的认识逐渐加深,便发现了人性本来的多重性,于是无奈地将人格分裂接纳为人性的一部分。在这一潮流中,法国旅华诗人谢阁兰在充分吸收莫氏等前辈成果的基础上,更汲取了中国文化元素的精华,终于从恐怖的双重人格现象中提炼出了灿烂的“多异”美学,为前人的探讨提供了近乎完美的答案,也给后人对于人性的认识提供了宝贵的借鉴。
In the mid-to-late 19th century European literary world, in the face of disturbing dual personality, writers of various countries such as Stevenson and Maupassant discussed it in succession. Later, with the progress of the times, people’s understanding of double personality gradually deepened, and they found the multiplicity of their original nature. Therefore, they reluctantly accepted the division of personality as a part of human nature. In this trend, the French traveling Chinese poet Xie Gelan absorbed the essence of Chinese cultural elements on the basis of fully absorbing the achievements of the predecessors such as Mohs and finally extracted the splendid "Aesthetics provides nearly perfect answers for the discussion of predecessors and also provides valuable reference for future generations to know human nature.