《受活》作为“荒诞现实主义”的杰出作品,从发表以来就受到了文学界的广泛关注。在《受活》的分析中,对于荒诞与真实的探究早已是屡见不鲜,但多是从创作手法着手,本文试图在结合创作手法分析的同时,将真实与荒诞联系到作品的主题之上,并结合社会历史来分析其荒诞与真实并存的时代必然性。 Living as an Outstanding Works of “Absurd Realism ” has drawn the attention of literary circles since its publication. In the “living” analysis, it is not uncommon to find absurdity and truthfulness, but most of them start with the technique of creation. This article tries to combine the creation technique with the analysis of the true and absurdity, Combined with social history to analyze the inevitability of the absurdity and coexistence of the times.