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文艺要为政治服务。战爭是政治的继续,在战爭的年月里,文艺要为战爭服务。做为部队的文艺工作者,必须时刻准备着打仗,树立为战爭服务的思想。部队的文艺工作者,首先应当是一个革命战士,其次才是一个文艺工作者。在战胜日本法西斯二十周年的今天,我想起了二十多年前在敌后的一段演剧生活。一九四二年春季,抗日战爭正处在相持阶段,日本帝国主义从正面战场抽调了大量兵力,对我晋察冀边区进行了大规模的“扫荡”,并施行了野蛮的“三光政策”、“蚕食政策”,制造了灭绝人性的“无人区”……。为了打击敌人的气焰,唤起人民群众的必胜信心,边区领导机关决定:所有的文艺工作者,都要深入到敌后去,在游击区展开一次政治攻势,以配合当前的斗爭。
Literature and art should serve for politics. War is the continuation of politics. In the years of the war, literature and art should serve the war. As a force of literary and art workers, we must always be prepared to fight and establish the ideology of serving the war. The force’s literary and art workers should, first of all, be a revolutionary warrior, followed by a literary worker. Today, the twentieth anniversary of the defeat of fascists in Japan, reminds me of the drama behind the enemy lines more than 20 years ago. In the spring of 1942, the war of resistance against Japan was at a stage of stalemate. The Japanese imperialists deployed a large number of troops from the front battlefield and conducted a large-scale “mopping-up” on me in the border area of the Shanxi-Chahar-Sheikhistan. They implemented the brutal “Three Light Policy” , “Encroachment policy”, creating a “no man’s land” for extinction of humanity .... In order to combat the arrogance of the enemy and arouse the confidence of the masses of the people, the leadership in the border areas decided that all literary and art workers should go deep into the enemy’s behind and launch a political offensive in the guerrilla zone in keeping with the current struggle.