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随着视觉和物质文化研究者对理论研究兴趣的加深,神经元艺术史已成为艺术史家、人类学家和考古学家研究中的一个显性因素。神经元艺术史的主要关注点:通过生物性的神经元放电而非隐喻性的语言来理解艺术的创作和观赏。神经可塑性和镜像神经元这两个核心概念,可以解释艺术创作和艺术欣赏中的众多现象,如古代岩洞壁画、古希腊雕塑、意大利肖像画、中国宋代绘画以及某些生物现象。神经艺术学并非要替代现有的艺术理论,而是为现有的艺术史提供新的研究维度。
As visual and material culture researchers deepen their interest in theoretical research, the history of neuron art has become a dominant factor in the study of art historians, anthropologists and archaeologists. The main focus of neuron art history is to understand the creation and appreciation of art through the discharge of biological neurons rather than metaphorical language. The core concepts of neuroplasticity and mirrored neurons explain numerous phenomena in artistic creation and artistic appreciation, such as ancient cave paintings, ancient Greek sculptures, Italian portraits, Chinese Song paintings, and certain biological phenomena. Neuroscience is not to replace the existing art theory, but to provide a new research dimension for the existing art history.