王栋栋(以下简称“王”):首先,我关心你在2006年前的作品大概是什么面貌,你的创作状态如何?范安翔(以下简称“范”):2006年左右的作品基本有两个线索贯穿着,一则是个体对当下整个社会生存环境与人自身的一种感悟或是反思,如《迎着风》、《观潮》等;一则是对传统文化消失殆尽或是对传统文化的漠视的一种思考,一种感伤,如 Wang Dongdong (hereinafter referred to as “Wang”): First of all, I am concerned about your appearance before 2006, what is your creative state? Fan Anxiang (hereinafter referred to as “Fan”): Works around 2006 There are two clues running through. One is an individual perception of or reflection on the current social environment and one’s own self, such as “greet the wind” and “watch the tide.” The other is that the traditional culture is gone Or a disregard of traditional culture, a kind of sentiment, such as