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泉州木偶主要可分为提线木偶和掌中木偶,铁枝木偶,提线木偶旧时被称为悬丝傀儡或嘉礼,掌中木偶被称为扁担戏,因单手可独立表演而得名掌中戏,是我国历史悠久的传统民间艺术。泉州木偶戏所使用的木偶头在雕刻工艺上甚有考究,不仅制作精美,而且自成体系。然而在信息发达、日新月异的今天,传统木偶雕刻工艺并没有得到极大的传承与发展,为了将泉州木偶头雕刻这门古老的传统民间艺术发扬光大,就势必要在原有的雕刻程式上进行创新,本文试研讨泉州木偶头雕刻的程式,分析传统程式存在的局限性,并提出传统木偶头雕刻程式的几点创新思路,希望可以为未来的研究提供理论支持,帮助泉州木偶戏进一步受到人民大众的喜爱。
Quanzhou puppets can be divided into the main marionette puppet and hand puppet, iron puppet, marionette known as hanging wire puppet or ceremony, the palm puppet is known as the pole play, because of one hand can be performed independently named play in the palm, It is China’s long history of traditional folk art. Quanzhou puppet puppet show used in the carving process is exquisite, not only exquisite, but also self-contained system. However, with the advanced information and ever-changing information, the traditional puppet carving process has not been greatly inherited and developed. In order to carry forward the ancient traditional folk art of Quanzhou puppet carving, it is necessary to make innovations in the original engraving program. Trying to discuss the program of Quanzhou puppet head carving, analyzing the limitations of the traditional program, and putting forward some innovative ideas of the traditional puppet carving program, hoping to provide theoretical support for the future research and help the puppet show in Quanzhou further be loved by the public .