海底喷火山,科学与蒙昧交融,是建筑的一种奇观。问题之关键在于,科学与蒙昧何者为主。喷泉中喷火,仍是泉,为园中奇景。火中有喷水,却是灾时景象。建筑一般以科学为主,可以有蒙昧的补充。倘颠倒,不免为灾。将建筑等同于艺术,正是酿成灾害的理论根源,尤害于青年的前途。建筑是人化的科技系统,根本区别于艺术。虽然,建筑有艺术性,并有少量的特殊性建筑可能为艺术品。一、非理性迷雾一派海市蜃楼,在建筑理论中。非理性正在强化建筑即艺术之论,日益非建筑化,日益远离现实,如火如荼,烟雾朦胧。 Underwater volcanoes, the combination of science and ignorance, is a spectacle of architecture. The key to the problem lies in the fact that science and ignorance are the main ones. The fire in the fountain is still a fountain. It is a wonderful scene in the garden. There is water in the fire, but it is a scene of disaster. Architecture is generally based on science and can be supplemented with ignorance. If it is reversed, it will not be a disaster. To equate architecture with art is precisely the theoretical origin of disasters, especially the future of youth. Architecture is a humanized technology system that is fundamentally different from art. Although, the architecture is artistic and there are a few special buildings that may be art works. First, the irrational misty mirage is a mirage, in the architectural theory. Irrationalism is strengthening the theory of architecture as art, increasingly non-architectural, and increasingly away from reality, in full swing, smoky.