诗歌是特殊语言构成的传情达意的艺术。叶嘉莹认为:“中国诗歌中最重要的质素,就是那份兴发感动的力量。”“如何养成体认和衡量诗歌中这种兴发感动之生命的能力,实在该是评赏中国古典诗歌的一项重要基础。”(叶嘉莹《古典诗词讲演集》,河北教育出版社,1998年版)在“言不尽意”的哲学背景下,中国诗歌批评历来重“印象”而轻语言。所谓“印象”指读者的体验感受、知识储备等文化、心理、情感的积淀,是面对诗歌语言 Poetry is the art of special affection and expressiveness composed of special languages. Ye Jiaying believes: “The most important quality in Chinese poetry is the power that Hing Fat touched.” How can we cultivate the ability to recognize and measure this touching and moving life in poetry? “(Ye Jiaying” classical poetry lectures “, Hebei Education Press, 1998 edition) in the” not enough meaning “philosophy, Chinese poetry criticism has always been” Impression “And light language. The so-called ”impression " refers to the readers experience, knowledge reserves and other cultural, psychological, emotional accumulation, is the face of poetry language