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本文从冯至的代表作《十四行集》《伍子胥》出发,探讨冯至上世纪四十年代写作的主题,并从艺术加工和个人经历等层面分析主题产生的心理机制,得出“灵动的生命”主题是作者内化了各种经历、影响之后得出的,其上世纪四十年代的创作具有“中和之美”的中国式审美意味。上世纪四十年代是冯至创作的第二个高潮,在此期间他创作了诗集《十四行集》、小说《伍子胥》,出版了散文集《山水》,发表了学术著作《杜甫传》。其中《十四行集》和《伍子胥》被认为是这一
This essay starts with Feng Zhi’s masterpiece “The Book of Fourteen” and “Wu Zixu”, discusses the theme of Feng Zhi’s writing in the 1940s and analyzes the psychological mechanism of the theme from the aspects of art processing and personal experience, The theme of life is the internalization of the various experiences of the author. After the influence came out, his creation in the 1940s has the Chinese aesthetic meaning of “beauty of neutralization.” In the forties of the last century was the second climax of Feng Zhi’s creation. During this period, he wrote the poetry anthology “The Fourteen Rows,” the novel “Wu Zixu,” published the essay “Landscape,” and published the academic book Du Fu Biography . Among them, “Fourteen Rows” and “Wu Zixu” is considered as this