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实景影棚的搭建和使用是现下影楼及工作室关注的重点问题之一,实景的拍摄优势自然无需赘述,但无论风格的潮流如何变化,一个根本问题在于:怎样的实景设计更趋合理?因为只有站在“摄影”的角度上,为拍摄需要而设计的实景才真正有意义。我们在《亚当斯区域曝光法在持续光源实景拍摄中的运用》(见2011年第1期)里探讨了持续光源拍摄时,对曝光合理性的一些认识。这个篇章我们将之前的理论探讨做一延续,重点探讨两个问题:
The construction and use of real studio is one of the key issues that the studio and the studio are focusing on nowadays. The real advantages of shooting are naturally not need to be described in detail. However, no matter how the trend of the style changes, a fundamental problem lies in: what kind of virtual design is more reasonable? From the standpoint of photography, the real world designed for filming needs makes a real difference. We discussed some of the sensitivities of exposure when shooting with continuous light at the “Adams Regional Exposure Approach to Continuous Light Photography” (see Issue 1, 2011). This chapter we will do a continuation of the previous theoretical discussion, focusing on two issues: