刹那的时间和虚无的空间在李在玉的雕塑作品中,能够强烈地感受到书法中畅快淋漓的速度感。特别是她巧妙运用一笔划,把形成汉字的“楚书体”作为自己创作的主要素材,不仅给人以紧迫的速度感,还有用毛笔书写字体时具有的柔韧感。而且,她的三维书体雕塑同传统的平面的在宣纸上完成的书法不 Moment of time and nothingness in the sculpture in Li Zaiyu, can feel the calligraphy in a sense of speed and dripping speed. In particular, she clever use of a stroke, the formation of Chinese characters “Chu Shu” as the main material of their own creation, not only gives a sense of urgency speed, as well as writing with a brush pen has a sense of flexibility. Moreover, her three-dimensional book-body sculpture is not the same as the traditional flat calligraphy done on rice paper