半年前,我曾写过一篇谈我国电影喜剧创作的短文(《呼唤喜剧新生面》载《电影评介》1986年第七期)。时过境迁,觉得言未尽意,不禁复吐为快,是谓“再谈”。 在《呼唤》一文中,我曾着重指出了前些年喜剧片创作数量上的“逆差”但据近年来的情况看,这种“逆差”正在逐渐缩小。经历多年的冷场、避讳之后,电影艺术家们似乎比以往任何时候都更注重喜剧片的 Six months ago, I wrote an essay on the creation of our country’s movie comedy (“Calling the New Face of Comedy” in “Film Review”, Issue 7, 1986). The passage of time, I feel ungrateful, can not help but retching vomit, is that “talk about.” In “Call”, I have highlighted the “deficit” of the number of comedy creations in previous years. However, according to the recent situation, the “deficit” is gradually shrinking. After years of cold work and taboo, movie artists seem to pay more attention to comedies than ever before