20世纪20年代末至30年代初,颜文樑,变卖家产购置了460件经典名作级石膏像,从法国运到苏州,后又迁至无锡、南京,在素描学中发挥了极为重要的作用,产生了深远的影响,最终毁于“文革”。它们构成了南京艺术学院百年校史中的传统事件。本文通过对一系列情节的回顾与记录,对相关情景的记忆与描述,试图对这一事件进行有深度的反思。 From the late 1920s to the early 1930s, Yan Wenliang sold 460 masterpieces of classy plasterwork, which were shipped from France to Suzhou and later to Wuxi and Nanjing. She played an extremely important role in drawing science, Had a profound impact, eventually destroyed in the “Cultural Revolution.” They constitute a traditional event in the Centennial School History of Nanjing Arts Institute. In this paper, through a series of episodes of review and record, the memory and description of the relevant scenarios, trying to have a deep reflection of this incident.