篆刻艺术的当代品格是经过近二十年的不断探索逐步确立的,具体的标志是彻底走出了齐白石、邓散木、王福庵风格的范囿,与明清流派拉开了距离,具有了鲜明的时代特色。 当代篆刻艺术的发展是八十年代初期随着社会政治的稳定、各艺术门类的全面振兴起步的,由于长期的停滞、冻结,使传统的延续出现断层,因而与传统衔接显得非常重要,于是一大批有志于这一传统艺术形式的仁人志士着手全面的继承前人。这后来被证明是必要的,因为传统不仅仅是固有形式的称谓, The contemporary character of carving art is gradually established after continuous exploration over the past 20 years. The specific sign is that it completely out of the style of Qi Baishi, Deng Sanmu and Wang Fuan, and has opened the distance with the schools of Ming and Qing Dynasties and has distinct characteristics of the times . The development of contemporary carving art started in the early 1980s with the social and political stability. Various art categories started their full revitalization. Due to the long-term stagnation and freezing, the continuation of the tradition has been broken down. Therefore, it is very important to link with tradition. Therefore, A large number of lofty ideals dedicated to this traditional art form proceed with the full succession of their predecessors. This proved to be necessary later, because tradition is more than an innate form of appellation,