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李默然在《中国戏剧》2004年第12期撰文指出,当前话剧舞台应警惕五种现象。一曰:豪华的形式掩盖空虚的内容。豪华堆砌的舞台装置,色彩缤纷的灯光、效果、音响以及高成本的现代科技,占据了舞台空间,夺走了表演天地。但再豪华的形式,一旦掩盖了内容,势必失去生存的魅力。二曰:假借改编经典名著误导观众。特别值得提及的是以“人性化”为理论依据,吹起了一股“坏人身上找好,好人身上找坏”的创作风气。任何名著皆有其产生的历史大环境、故事和人物展开的具体规定情境,丢弃这些于不顾,全凭自己
Li Moran in the “Chinese drama” 2004 the twelfth The author pointed out that the current stage of the drama should be alert to five phenomena. One said: luxurious form of cover up empty content. Luxury piling stage equipment, colorful lighting, effects, sound and high-cost modern technology, occupy the stage space, took the world of performance. But then luxurious form, once covered up the content, is bound to lose the charm of survival. Second said: under the guise of the classic classics to mislead the audience. Particularly worth mentioning is the “humane” as the theoretical basis, blowing a “bad guys who find good, bad guys who look for bad” creative atmosphere. Any masterpiece has its own historical environment, the story and characters to start the specific provisions of the situation, discard these regardless of their own