近代中国艺术发展大致分为几个阶段,五四运动以降至新中国成立前30年前后这个阶段是打破旧传统、树立新观念的阶段。这个阶段,一些传统的“遗老遗少”们仍然用他们的方式延续着艺术创作方式,以吴昌硕、黄宾虹、金城等为代表,而以徐悲鸿、刘海粟、林风眠为主的改良派,则用他们学到的西方观念、技法改良着中国画。建国后到改革开放前为第二阶段,改良派已占上风,除社会需要外,他们自身也渐渐成熟、完善,而以潘天寿等为主的传统派强调坚守传统、洋为中用,也努力地推动着中国画前进的步伐。改革开放至今,中国打开国门,走 The development of modern Chinese art can be roughly divided into several stages. The May Fourth Movement was reduced to the stage of breaking the old tradition and establishing a new concept about 30 years before the founding of New China. At this stage, some traditional “old widows” still use their methods to continue the artistic creation style, represented by Wu Changshuo, Huang Binhong and Jincheng, while the reformists led by Xu Beihong, Liu Haisu and Lin Fengmian use The Western ideas and techniques they learned improved Chinese painting. As the second stage before the reform and opening up after the founding of the PRC, the reformists have gained the upper hand. In addition to social needs, they themselves have gradually matured and perfected. However, the traditionalists such as Pan Tianshou emphasize their commitment to tradition, Efforts to promote the pace of Chinese painting forward. Since the reform and opening up, China has opened its door to China