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清初六家之一的恽寿平在花鸟画历史上堪称开宗立派、卓然有成的大家,其论画著作《南田画跋》集中体现了他的绘画思想,有趣的是,《南田画跋》中的主要内容大部分是关于山水画的创作及写意精神的。作为没骨花卉的代表人物,他对设色自有非同寻常的见解和思考,而他的山水画清新简淡,水墨天成,本文的主旨便是在这“色”与“墨”的交响中来解读《南田画跋》中的绘画思想。
In the early Qing dynasty, one of the six hometown 恽 Shou-ping in the history of flowers and birds painting called the founding of the legislature, Zoran successful, his work on painting “Nantian painting postscript” embodies his painting ideas, interesting is that “Nantian Most of the main content is about the creation of landscape painting and freehand spirit. As a representative of a boneless flower, he has unusual views on color creation and his own thoughts. His landscape painting is fresh and simple, his ink painting is the essence of this paper. ”In the symphonic interpretation of“ Nantian painting and calligraphy ”painting ideas.