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钢琴音乐创作中的民族化,一直是中国作曲家探讨的重要话题。本文对郭祖荣半个多世纪以来的钢琴曲创作,从在旋律写作和多声部写作方面,对其钢琴音乐民族风格的追求和探索进行解读。
The nationalization of piano music has always been an important topic discussed by Chinese composers. This paper analyzes Guo Zurong’s piano music creation for more than half a century. From the aspects of melody writing and polyphony writing, it explores the pursuit and exploration of his national style of piano music.