我对于庆新关于“福建乐群”的提法持完全支持的态度,因为这是一个有百利而无一害的事情。为发展福建音乐事业计,值得大力支持。名称是叫“福建乐派”、“八闽乐群”、“武夷乐社”还是什么这是次要的事情,可容慢慢琢磨,找一个名符其实并有新意的称呼。“乐派”也好,“乐群”也好,都需要在一定的历史条件下才能提出,这是时代音乐发展的客观需要。中国现代音乐史上有一位优秀的作曲导师,他叫黄自,曾培养、教导出了贺绿汀、刘雪庵、陈田鹤、江定仙、谭小麟、林声翕等一批作曲学生,他们大体上被称之为“学院派”。几乎在同一时期,冼星海、吕骥在上海、延安等地也带出了 I am completely supportive of Qingxin’s formulation of “Fujian Lequ ”, because it is a hundred percent harmless thing. For the development of Fujian music industry, it deserves strong support. The name is called “Fujian music school ”, “Bmin music group ”, “Wuyi music club ” Or what this is a secondary matter, can slowly pondering, to find a real and innovative The title. “Music School ” Ye Hao, “Music Group ” Ye Hao, both need to be put forward under certain historical conditions, which is the objective needs of the development of the era music. In the history of Chinese modern music, he has an excellent composer mentor. He is Huang Zi who trained and taught a group of composer students such as He Luting, Liu Xuantan, Chen Tianhe, Jiang Dingxian, Tan Xiaolin and Lin Shengtao, who are generally called “ Academic school ”. Almost the same period, Xian Xinghai, Lu Ji in Shanghai, Yan’an and other places also brought out