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呈现多元文化形态的“原生态”少数民族题材电影描绘绚烂的少数民族“族群记忆”。“原生态”既是少数民族题材电影民俗意象的表达方式,同时也是一种重要的创作策略。在与“他”民族的文化对视中,少数民族文化往往陷入“被想象”和失语状态,试图穿越“银幕之镜”寻找恰当的身份认同,以消解文化冲突和文化焦虑。本文以文化研究的视域,在电影《尔玛的婚礼》的文本中,解读新世纪少数民族题材电影的“原生态”现象,发掘文明表象下的现代性危机和民族精神重构。
A multi-cultural form of “original ” minority theme film depicting gorgeous ethnic minority “ethnic memory ”. “Original Ecology ” is not only the expression of minority folk movie folk custom image, but also an important creative strategy. In contrast with the culture of ethnic groups, ethnic cultures are often trapped in “imagined” and aphasia attempts to find suitable identities through the “mirror of the screen” to eliminate cultural conflicts and cultures anxiety. From the perspective of cultural studies, this article interprets the phenomenon of “primitive ecology” of minority-themed films in the new century and explores the crisis of modernity and reconstruction of national spirit in the text of “The Wedding of Elma.”